代写54048 Brand Advertising Strategies
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代写54048 Brand Advertising Strategies
Subject coordinator
Dr Susie Khamis
Office: Building 10 level 9 Room 211
Email: Susie.Khamis@uts.edu.au
Teaching staff
Tutors
Sarah Haines
Email: sarahdothaines@gmail.com
Daniel Biro
Email: dannybiro@gmail.com
Felix Stravens
Email: felix.stravens@gmail
NB:In the first instance, all questions should be emailed to your tutor. Please allow up to 48 business hours for a reply.
Subject description
In this subject, students explore consumer relationships with brands, the factors driving change and the use of brand
equity models in their management and advertising strategy. A practice-based approach to consumer research
develops students' skills in using creative and experimental techniques to uncover ideas for brand advertising.
Students present their recommendations for communication as an integrated campaign with creative work in two
media channels.
Subject learning objectives (SLOs)
a. Evaluate brand equity models
b. Research consumer relationship/s with brands using qualitative research methods
c. Analyse consumers using a structured interview design and creative techniques
d. Create concepts relevant to building a brand
e. Explain research outcomes in a professional and articulate manner
Course area UTS: Communication
Delivery Spring 2016; City
Credit points 8cp
Requisite(s) 54040 The Ecology of Public Communication OR 54046 Principles of Advertising
OR 58118 Principles of Advertising OR 54047 Advertising Campaign Practice OR
58129 Advertising Campaign Practice
These requisites may not apply to students in certain courses.
There are also course requisites for this subject. See access conditions.
Result type Grade and marks
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Contribution to the development of graduate attributes
This subject addresses the following Course Intended Learning Outcomes:
1. Professional Readiness
1.1 Possess a well-developed awareness of professional practice in the context of the communication industries
1.2 Apply theoretically-informed understanding of the communication industries in independent and collaborative
projects across a range of media
2. Critical and Creative Inquiry
2.1 Possess information literacy skills to locate, gather, organise and synthesise information across diverse platforms
to inform the understanding of the communication industries
2.2 Be reflexive critical thinkers and creative practitioners who are intellectually curious, imaginative and innovative;
with an ability to evaluate their own and others’ work
6. Effective Communication
6.1 Possess well-developed skills and proficiencies to communicate and respond effectively and appropriately across
代写54048 Brand Advertising Strategies
Teaching and learning strategies
There will be a weekly one-hour lecture on key content, which may include guest lectures from industry in areas of
particular expertise, plus a 2-hour tutorial. The lecturer will invite and engage with student questions as they arise
organically throughout the lecture. The tutorial sessions are designed to enhance students’ understanding of topic
content by means of practical class activities. The activities will include role-plays, creative exercises in research and
idea generation, discussion of student approaches and collaborative group work. Weekly reading of prescribed texts is
essential for student learning. Each week tutorial activities will rely on students having either read or prepared material
ahead of time to work on in the session. Students will receive formative verbal feedback on their interview design
proposal by their tutor during the tutorial sessions.
Content (topics)
This subjects covers the following topics: Theories of brands: their role and function in business and society; theorizing
how brands work; understanding consumer relationships with brands; understanding the use of advertising in building
brand meaning through personality, values & beliefs; the use of brand equity models in brand management and
strategy: examining applications of strategic research and planning for advertising purposes, and the development of
brand ideas; Qualitative research using an equity model: proposal writing and structured interview design; the creation
and application of contemporary and experimental research techniques; and finding ideas from research insights;
Channel planning: integrated brand campaigns; creative ideas and concept presentation for multimedia/channels;
copywriting; layout and design; and Persuasive presenting: how to sell creative ideas.
Program
Week/Session Dates Description
1 4 August Introduction
This week we survey the key concepts that are considered in this subject &
discuss the various assessment items.
Notes:
Take time to carefully read through the subject outline & consider any
questions you might have for your tutor.
2 11 August Theories of Brands
This week we look at the various ways branding is theorised and understood.
Notes:
Reading
Leslie de Chernatony & Francesca Dall'Olmo Riley (1998) 'Defining A "Brand":
24/07/2016 (Spring 2016) © University of Technology Sydney Page 2 of 7
Beyond the Literature With Experts' Interpretations', Journal of Marketing
Management, 14:5, pp. 417-443
3 18 August Brand Equity
This week we look at the strategic importance of brand equity and consider it
in relation to the practices and principles of advertising.
代写54048 Brand Advertising Strategies
Reading
Kevin Lane Keller (2008) Strategic Brand Management: Building, Measuring,
and Managing Brand Equity, Pearson/Prentice Hall: NY, pp. 1-46
W. Wells, R. Spence-Stone, S. E. Moriarty & J. D. Burnett (2008) Advertising:
Principles and Practice, Pearson Education Australia: Sydney, pp. 2-31
4 25 August Qualitative Research
This week we consider the importance of qualitative research for branding.
Notes:
Readings
N. K. Denzin & Y. S. Lincoln (2011) 'Introduction: the discipline and practice of
qualitative research' in N. K. Denzin & Y. S. Lincoln (eds) The Sage handbook
of qualitative research, Sage: Thousand Oakes, pp. 1-19
M. A. Morrison, E. Haley, K. B. Sheehan & R. E. Taylor (2012) Using
Qualitative Research in Advertising: Strategies, Techniques, and Applications,
Sage: Thousand Oakes, pp. 23-41
5 1 September Identity & Personality
This week we consider how brands are imbued with concepts of idenity and
personality.
Notes:
Readings
Jennifer L. Aaker (1997) 'Dimensions of Brand Personality', Journal of
Marketing Research, 34:3, pp. 347-356
David A. Aaker (1996) Building Strong Brands, Free Press: NY, pp. 175-205
6 8 September The Consumer Perspective
This week we take stock of consumer perspectives in branding.
Notes:
Readings
Kevin Lane Keller (2016) 'Reflections on customer-based brand equity:
perspectives, progress and priorities, AMS Review, 6:1, pp. 1-16
Kevin Lane Keller (2009) 'Building strong brands in a modern marketing
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Kevin Lane Keller (2009) 'Building strong brands in a modern marketing
communications environment', Journal of Marketing Communications, 15:2-3,
pp. 139-155
7 22 September Ideas Generation
This week we look at the generation of ideas and brand copywriting.
Notes:
Reading
Theresa Iezzi (2010) The Idea Writers: copywriting in a new media and
marketing era, Palgrave Macmillan: NY, pp. 147-181
8 29 September Brand Positioning
This week we consider hoe brands are positioned in the consumer
marketplace.
Notes:
Readings
Sal Randazzo (1993) Mythmaking on Madison Avenue: how advertisers apply
the power of myth and symbolism to create leadership brands, Probus:
Chicago, pp. 195-231
P. Barry (2008) The advertising concept book: think now, design later: a
complete guide to creative ideas, strategies and campaigns, Thames &
Hudson: NY, pp. 106-153
9 6 October Visuality & Art Design
This week we consider the role of visual imagery in branding.
Notes:
Readings
Barbara J. Phillips, Edward F. McQuarrie & W. Glenn Griffin (2014) 'The Face
of the Brand: How Art Directors Understand Visual Brand Identity, Journal of
Advertising, 43:4, pp. 318-332
D. Herzbrun (1997) Copywriting be design: bringing ideas to life with words
and images, NTC Business Books: Lincolnwood, Chapters 1, 2 & 3
10 13 October The Future of Brands
This week we consider emerging trends in branding.
Notes:
Reading
C. Teddlie & Abbas Tashakkori (2011) 'Mixed methods research:
contemporary issues in an emerging field' in N. K. Denzin & Y. S. Lincoln
(eds) T he Sage handbook of qualitative research, Sage: Thousand Oakes,
pp. 285-299
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pp. 285-299
11 20 October Student Presentations
Students give a brief presentation of their brand research and creative work to
show how their research for Assessment 1 provided a consumer insight to
inform their USP and thus their creative idea, leading to their strategy and
design recommendations.
Notes:
No set readings this week.
Assessment
Assessment task 1: Interview Design Proposal
Objective(s): a, b, c and e
Weight: 40%
Task: Students must produce a research proposal that justifies a structured interview design for conducting
in-depth qualitative interviews. Using a brand equity model to structure the scope of questions for a
product or service (as nominated by the lecturer), students explain their choice of model, questions
and creative techniques in the proposal and incorporate the interview design in the appendix. The
findings will inform their creative decisions for Assessment 2.
Length: 1500 words
Due: Week 6
Criteria
linkages:
Criteria Weight (%) SLOs CILOs
Relevance of chosen brand model 20 a 2.1
Justification of qualitative research 20 b 1.1
Validity of the questions & techniques 20 c 6.1
Coherence of the structured interview
design
20 b 1.2
Clarity of expression 15 e 6.1
Accuracy of academic referencing 5 e 1.1
SLOs: subject learning objectives
CILOs: course intended learning outcomes
Further
information:
Further Information will be provided in classes.
Assessment task 2: Integrated Brand Advertising Concepts
Objective(s): d and e
Weight: 40%
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Task: Students will produce an integrated campaign idea to work across two media channels, one of which
must be a long-copy double-page spread print advertisement. The other is at the student’s discretion
informed by their brand research findings and relevant to the audience identified, e.g. broadcast
storyboard, script for radio or program, outdoor poster, sponsored event, direct mail, mobile or social
media etc. Both advertisements must emerge from the central idea uncovered in Assessment 1 and
be expressed as a single-minded proposition.
Due: Week 11
Criteria
linkages:
Criteria Weight (%) SLOs CILOs
Relevance of creative idea for the brand 20 d 1.2
Specificity of concept to the
audience/proposition identified
20 d 1.2
Originality/creativity of the idea 20 d 2.2
Appropriateness for the media channel
characteristics
20 d 6.1
Unity of the creative idea across the media
channels
20 e 1.2
SLOs: subject learning objectives
CILOs: course intended learning outcomes
Further
information:
Further Information will be provided in classes.
Assessment task 3: Class Presentation
Objective(s): e
Weight: 20%
Task: Students give a brief presentation of their brand research and creative work to show how their
research for Assessment 1 provided a consumer insight to inform their USP and thus their creative
idea, leading to their strategy and design recommendations.
Length: 5 minutes
Due: Week 11
Criteria
linkages:
Criteria Weight (%) SLOs CILOs
Clarity and logic of presentation structure 30 e 6.1
Efficacy of presentation techniques 30 e 6.1
Appropriateness of choice and use of
equipment/props
20 e 6.1
Originality of the presentation 20 e 2.2
SLOs: subject learning objectives
CILOs: course intended learning outcomes
Further
information:
Further information will be provided in classes.
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Minimum requirements
Attendance at tutorials is essential in this subject. Classes are based on a collaborative approach that involves
essential work-shopping and interchange of ideas with other students and the tutor. A roll will be taken at each class.
Students who have more than two absences from class will be refused final assessment (see Rule 3.8).
Required texts
All readings can be accessed through UTSOnline:
https://www.lib.uts.edu.au/drr/search.html?q=54048
References
Suggestions for Further Reading
Aaker, D. 1996, Building Strong Brands, The Free Press, New York.
Aronczyk, M. and Powers, D. (eds) 2010, Blowing Up the Brand: Critical Perspectives on Promotional Culture, Peter
Lang, New York.
Barry, P. 2012, The advertising concept book: Think now, design later; A complete guide to creative ideas, strategies
and campaigns, revised edition , Thames & Hudson, London.
Belk, R. W. 2006, Handbook of qualitative research methods in marketing, Edward Elgar, Cheltenham.
Banet-Weiser, S. 2012, Authentic: The Politics of Ambivalence in a Brand Culture, New York University Press, New
York.
Callingham, M., Chandler, J., Chrzanowska, J., Desai, P., Ereaut, G., and Wardle, J. 2002, Qualitative market
research: Principle and practice, Sage, London.
Chernatony, L. D. McDonald, M. and Wallace, E. 2011, Creating Powerful Brands, 4th edition, Butterworth
Heinemann, Amsterdam.
Denzin, N. and Lincoln, Y. (editors) 2011, Handbook of Qualitative Research, 2nd edition, Sage: Thousand Oaks, CA
Herzbrun, D. 1997, Copywriting by design: Bringing ideas to life with words and images, NTC Business Books,
Lincolnwood, Ill.
Iezzi, T. 2010, The idea writers: Copywriting in a new media and marketing era, 1st edition, Palgrave Macmillan, New
York.
Ind, N. 2001, Living the Brand, Kogan Page, London.
Keller, K. L. 2007, Strategic Brand Management: Building, Measuring and Managing Brand Equity, 3rd edition,
International Edition/Pearson Education, New Jersey.
Wells, W. D., Spence-Stone, R., Crawford, R., Moriarty, S. and Mitchell, N. 2015, Advertising Principles & Practice:
Australian Edition, Pearson Education Australia, Sydney.
Statement on UTS email account
Email from the University to a student will only be sent to the student's UTS email address. Email sent from a student
to the University must be sent from the student's UTS email address. University staff will not respond to email from
any other email accounts for currently enrolled students.
Disclaimer
This outline serves as a supplement to the faculty's student study guide. On all matters not specifically covered in this
outline, the requirements specified in the guide apply.
This outline was generated on the date indicated in the footer. Subsequent minor changes may have been made.
代写54048 Brand Advertising Strategies